#Andy muschietti art movie#
#Andy muschietti art tv#

#Andy muschietti art movie#

I avoid, at all costs, going into a movie theater with any sort of knowledge about the film I'm going to watch.

However, Miller shares the spotlight with two supporting characters who will drive many viewers crazy for different reasons: Michael Keaton reprises his role as Batman from Tim Burton's movies (in 19), and Sasha Calle becomes Supergirl in the return of the Kryptonian character to the big screen.Īnyone who's followed me long enough knows that I stopped watching trailers – even before watching films in theaters – over six years ago.

I never really believed that the actor had the ability to be more than the 'silly sidekick', but Miller demonstrates in The Flash that they're capable of leading a blockbuster of this dimension. From the parallels between their two lives to their fleshed-out arcs, watching the titular super fast superhero's origin story through the eyes of another, more experienced version of himself is indeed fascinating.Įzra Miller is quite good in this movie, interpreting two variations of the same role, all the while delivering expressively complex, much more dramatic performances than what I've seen from them before. The predictability of this narrative wouldn't be as obvious if the movie had come out a few years ago, but Hodson is able to keep the story interesting through the dynamics between the two versions of the comic book protagonist. The fact that the 'other Barry' has both his parents alive is why everything happens to begin with.Īndy Muschietti's The Flash follows familiar formulas from other time-travel flicks and theories about the 'multiverse', obviously explaining its own rules regarding the space-time continuum to the audience at a certain point in the film. With much more heart and humor than anticipated, Hodson manages to create a captivating narrative about grief and the scars of life by bringing together two Barry Allen's ( Ezra Miller) not only at completely distinct stages of their lives but in thoroughly different worlds. Fans of the comic books have plenty of chill-inducing moments and eye-boggling cameos, references, and callbacks, but for me personally, the biggest surprise is found within the screenplay itself. The Flash should leave its target audience extremely satisfied.

#Andy muschietti art tv#

In addition, I won't elaborate on spoilers, but consider anything that was shared by the studio in its marketing - from trailers to TV spots - as general knowledge. Once again, external situations affected the release of a blockbuster, so I need to emphasize the lack of impact these matters have on my reviews. Apart from that, the fact that director Andy Muschietti (of Mama, It, It Chapter Two) and screenwriter Christina Hodson ( Bumblebee, Birds of Prey) were responsible for the film offered a certain assurance that the movie was in good hands. However, in perhaps unprecedented fashion, the DCEU had the opportunity to create a 'narrative reboot' with The Flash movie, and this was the main reason why I was genuinely excited about one of the last movies of this cinematic universe – the next one will be called DC Universe (DCU). When a franchise is being rebooted, it's usually boringly announced through a press release, and fans simply must accept that what's next will be part of a new overarching adventure disconnected from what came before.